Sims 3 kinky world exibition3/2/2024 When the cool new thing gets around to rolling through town, it’s usually not that cool anymore. I don’t know anything about these albums I’m 33 and I live in Ottawa, Canada. I categorize “the best” artists and albums into two very broad streams: those that represent and are a part of a burgeoning trend that right now seems fresh and interesting and will one day be retroactively analyzed for cultural significance. My next thought is too binary, I know, but I still find it useful. But only one of these albums really deserves to be there. Their inclusion during Accolades Month may bridge, a little, the divide between our collective authenticity complex and the diluting powers of mass consumption. Their placement on these lists will fill a particular need for those who pay attention to such things, surrounded as they will be by feel-good electronic jams and top 40 pop selections, because they will bolster the bona fides of a community that must balance each ironic pleasure with something cerebral and atonal. Come December, the Knife’s Shaking the Habitual and Jenny Hval’s Innocence is Kinky will find themselves on most year-end lists-the former somewhere near the top, the latter just kind of in there somewhere.
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